Even under the harsh rigors of an arbitrary nature, the human body has always seemed to be, since the Venus of Willendorf, a cultural construction. The canons that have governed throughout history, from the capitals to the floral arrangements, have had in the body, in its adornments and in its artifices, the paradigm of an order but also the possible licenses to flirt with chaos. Osvaldo Sánchez

Chromogenic print
60 x 50 cm