The interest of Dellekamp in collecting as a social construct is evident in her varied range of socially committed projects.


From "The Library of the Earth" (2008-present), Press (2008-2013), Social housing (2012), to the most recent exploration of objects as bearers of stories and memories in projects like The meaning of the inhabited (2019) or Porcelain (2022).

The interest of Dellekamp in collecting as a social construct is evident in his varied range of socially committed projects.


From "The Library of the Earth" (2008-present), Press (2008-2013), Social housing (2012), to the most recent exploration of objects as bearers of stories and memories in projects like The meaning of the inhabited (2019) or Porcelain (2022).

INDIVIDUAL PROJECTS

Individual projects showcase a multidisciplinary approach that incorporates video installations, interventions, and explorations of space.

Individual projects showcase a multidisciplinary approach that incorporates video installations, interventions, and explorations of space.

2022

2022

Porcelain, Video installation, commissioned by In Site/Casa Gallina, curated by Josefa Ortiz, Museo Amparo, Puebla, Mexico M/D, Intervention in the library of the Patricia Conde Gallery, Mexico City

The sense of the inhabited, Curatorship by Itzel Vargas, Museo del Chopo (UNAM), Mexico City

The Earth Library, Zapopan Art Museum, Jalisco

Collecting / Thinking, (Sample) Patricia Conde Gallery, Mexico City

National Agreement, Casa Rafael Galván, Metropolitan University, Mexico City

Collecting / Thinking, (Intervention) Palace of the School of Medicine, Mexico City

Open processes, curated by Graciela Kasep, Museum of Modern Art, Mexico City

The Earth Library, FILIJ (International Children's Book Fair), National Arts Center, Mexico City

Process, Nina Menocal Gallery, Mexico City. The Library of the Earth, White Rabbit Bookstore, Mexico City.

The Earth Library, Museum of Modern Art, Mexico City

For rent, International Photography Festival of Bogotá, Alonso Garcés Gallery, Bogotá, Colombia

For rent, Instituto de México, Madrid, Spain and Centro de Historia de Zaragoza, Spain

System messages, Image Center, National Council for Culture and Arts, CONACULTA, Mexico City and Guanajuato Arts Center, CONACULTA, Salamanca, Guanajuato, Mexico.

Mexico 05, Manuel Felguérez Gallery, National Autonomous University of Mexico, Mexico City

Anthropology of the modern body, MACAZ, Image Factory, Morelia, Michoacán, Mexico.

Anthropology of the modern body, Gallery Acceso A, Mexico City, Mexico

Anthropology of the modern body, Installation, Museo Universitario de Ciencias y Artes (MUCA) UNAM, Mexico City

In Situ, Multimedia Center, National Center for Culture and Arts, Mexico City, Mexico

In Situ, Museum of Modern Art of Guadalajara, Guadalajara, Mexico

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The interest of Dellekamp in collecting as a social construct is evident in his varied range of socially committed projects.


From "The Library of the Earth" (2008-present), Press (2008-2013), Social housing (2012), to the most recent exploration of objects as bearers of stories and memories in projects like The meaning of the inhabited (2019) or Porcelain (2022).

The interest of Dellekamp in collecting as a social construct is evident in his varied range of socially committed projects.


From "The Library of the Earth" (2008-present), Press (2008-2013), Social housing (2012), to the most recent exploration of objects as bearers of stories and memories in projects like The meaning of the inhabited (2019) or Porcelain (2022).

© 2025. MARIANNA DELLEKAMP ®. todos los derechos reservados | Desarrollado por @bobsala
© 2025. MARIANNA DELLEKAMP ®. todos los derechos reservados | Desarrollado por @bobsala
© 2025. MARIANNA DELLEKAMP ®. todos los derechos reservados | Desarrollado por @bobsala